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共有し合う物達（2） : 自由即興における協同する力
https://doi.org/10.20832/00000226
https://doi.org/10.20832/000002263bad85e3-4215-4e60-9602-e2f3699d93e0
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
bunka_017_003 (269.6 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2021-03-20 | |||||
| タイトル | ||||||
| タイトル | 共有し合う物達（2） : 自由即興における協同する力 | |||||
| タイトル | ||||||
| タイトル | Sharing Things(2) ： Collaborative Agents in Free Improvisation | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | collaborative materiality | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | intra-action | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | object ontology | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | conditionality | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | entanglement | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | improvisation | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | post-humanism | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.20832/00000226 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
ゴードン, ジェラルド R.
× ゴードン, ジェラルド R.× Gerald, Raymond Gordon |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Reading Karen Barad was like finding a how-to guide for destabilizing the classical, solidity-based metaphysics which have long oriented humanist ontology and characterized the world as a deterministic and categorizable variety of stable, isolated, individualized, atomized me's, you's and them's. The nonsense of this “commonsense” has long seemed obvious to me, easily evidenced by even the most common transmaterialisations that facilitate life--such as eating, breathing, interacting, etc. Eating, for example, obviously brings about profound changes in both my body and the object I might eat. Things together with things become different, undermining notions of independence and making the idea of stable individualization seem absurd. From Barad's methods for revealing and analyzing a more subtle, accurate and undeterminable ontology of intra-actively becoming and entangled agents, I took away the implication that everything is involved, always has been and can't not be. Or, rather, nothing exists and everything proves it. Human and nonhuman agents engage in collaborative entanglements, bringing about becoming. Notions like this made me excited to test Barad's ideas in analyzing the art practice that I know most deeply: freely improvised music. Practitioners of free improvisation often describe it with terms like “becoming one” or “sharing the moment.” However, Barad provides language for examining collaborations (both human and non-human) with greater nuance and clarity, but also provides a means by which to venture beyond humanist-centered ontologies and explore realms of objects. Thus, in this article, using Barad's and Object Oriented Ontological concepts as tools for building experimental apparatuses, I do a detailed analysis of an entanglement between a human and non-human object (specifically, me improvising with a tenor saxophone). With this serving as something of a case study in post-humanist ontology, my examination expands in order to more generally explore how human and non-human agents intra-act in collaborative becoming, and how this awareness provides potential ways for exceeding the human-centered constructs that delegitimize the body in general and individual becoming bodies in particular. The results, I argue, are that bodies can't not possess the autonomy and openness that humanism tries to reduce into its determined and classified roles of purpose and meaning. As well, I argue that bodies can only be understood as individuals in both form and time. | |||||
| 書誌情報 |
梅花女子大学文化表現学部紀要 en : Baika Women's University Faculty of Cultural and Expression Studies Bulletin 号 17, p. 34-48, 発行日 2021-03-20 |
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| 出版者 | ||||||
| 出版者 | 梅花女子大学文化表現学部 | |||||
| 出版地 | ||||||
| 値 | 茨木 (大阪府) | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 24320420 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12749671 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 見出し | ||||||
| 大見出し | 国際英語学科 | |||||
| 言語 | ja | |||||
| 見出し | ||||||
| 大見出し | Department of Global English | |||||
| 言語 | en | |||||
